and i'll repeat what i said last time...
Michael Kamen's work on License to Kill, where he mixes his typical but impressive strings work like on the Lethal Weapon films with variations on the Bond theme (by both him and Eric Clapton) is brilliant.
Fortunately today, I don't have any meetings so I'll get a chance to hear more of David Arnold's work (after the less than impressive Goldeneye score)...
update: I like. A LOT. I'm not a huge fan of drum machine stuff, but Arnold (and Oakenfeld in Die Another Day) really make it work over the layers and variations Arnold has done with the Barry material.
Fortunately today, I don't have any meetings so I'll get a chance to hear more of David Arnold's work (after the less than impressive Goldeneye score)...
update: I like. A LOT. I'm not a huge fan of drum machine stuff, but Arnold (and Oakenfeld in Die Another Day) really make it work over the layers and variations Arnold has done with the Barry material.
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I brought it up 'cause the last time the marathon was on, i was busy in meetings and had to miss the David Arnold films. this time, i was coding away and enjoying it all. :)