acroyear: (so what's your point)
Joe's Ancient Jottings ([personal profile] acroyear) wrote2006-09-21 03:20 pm
Entry tags:

enough "Romeo and Juliet"'s out there?

So far, I've seen "music inspired by"'s from Prokofiev, Gounod, Tchaikovsky, Berlioz, Delius, and of course, Bernstein (West Side Story - hey, it's close enough...), plus the film soundtracks by Rota and Hooper, and an incidental score credited to American composer David Diamond.

so what gives?  i realize it's a great story (great enough for Shakespeare to have written it twice (Midsummer Night's Dream)), but why the musical fascination throughout the 19th and early 20th centuries?

sheesh...

[identity profile] wilhelmina-d.livejournal.com 2006-09-21 07:32 pm (UTC)(link)
I don't get how Midsummer's is the same story as R+J, unless you're just counting various love polygons. Can you please elaborate? I am much curious.

As to the multiple versions - I think it's just a story whose pathos and beauty grabbed the imagination of the Romantics and went onward from there.

[identity profile] acroyear70.livejournal.com 2006-09-21 07:34 pm (UTC)(link)
just the Pyramus and Thisby inner segment, not the whole story.

[identity profile] wilhelmina-d.livejournal.com 2006-09-21 07:56 pm (UTC)(link)
Ah, makes sense. :)
dawntreader: (dramatic)

[personal profile] dawntreader 2006-09-21 08:18 pm (UTC)(link)
wow! i don't remember Juliet's balloons popping at the end of Romeo and Juliet! *snicker*

[identity profile] acroyear70.livejournal.com 2006-09-21 08:21 pm (UTC)(link)
no, just her idealism.
dawntreader: (daydream believer)

[personal profile] dawntreader 2006-09-21 08:25 pm (UTC)(link)
so THAT'S what [livejournal.com profile] elvisolb's balloons represent. that's like, deep, man. whoaaaa.